May 12, 2012
Photographer: Manolo L B Mantero
                      *******
We build up who we are from first light
Each touch; tender and harsh
Sound; warm and hard 
Telling
Saving information unable to be replicated
Science unable to create a human heart
The essence of us swims circles alongside 
A cloak of silence; protection and threat
Keeping
Crested waves and flattened shore 
We mimic grander schemes 
How blind the consummate eyes
Taking
One deep and touching love threaded
Tendril to tendril
Elements may survive save our souls
Shifting

©LPS

Photographer: Manolo L B Mantero

                      *******

We build up who we are from first light

Each touch; tender and harsh

Sound; warm and hard 

Telling

Saving information unable to be replicated

Science unable to create a human heart

The essence of us swims circles alongside 

A cloak of silence; protection and threat

Keeping

Crested waves and flattened shore 

We mimic grander schemes 

How blind the consummate eyes

Taking

One deep and touching love threaded

Tendril to tendril

Elements may survive save our souls

Shifting

©LPS

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April 16, 2012
Photographer: Manolo L B Mantero
She
Slipping over silky stone 
Crashing o’er ears unknown
Silently with power wait
The higher circles dictate fate
Length and berth do vary so
Through fine veins I wane and grow
Of late the gifts that go to bare
Are split and frayed as brittle hair
The contents of this majesty
Has reaped deep wounds by all of thee
So comes the long and lonely night 
In heated day with floral blight
To roll along in quiet dusk
Near creature’s bays and smoky musk
My silence taking come what may
Every night and every day
© Leslie I Partridge Sachs

Photographer: Manolo L B Mantero

She

Slipping over silky stone 

Crashing o’er ears unknown

Silently with power wait

The higher circles dictate fate

Length and berth do vary so

Through fine veins I wane and grow

Of late the gifts that go to bare

Are split and frayed as brittle hair

The contents of this majesty

Has reaped deep wounds by all of thee

So comes the long and lonely night 

In heated day with floral blight

To roll along in quiet dusk

Near creature’s bays and smoky musk

My silence taking come what may

Every night and every day

© Leslie I Partridge Sachs

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April 1, 2012
Imaginings of a different sort
Same as ever
Each hour spitting up the rancid wonder
Too still and commonplace 
Pervasiveness of ordinary
Comfort in numbers
Yes
No
Religion drags across jagged protrusions
Bringing on the light
It arrives without looking at a reflection

LPS

Imaginings of a different sort
Same as ever
Each hour spitting up the rancid wonder
Too still and commonplace
Pervasiveness of ordinary
Comfort in numbers
Yes
No
Religion drags across jagged protrusions
Bringing on the light
It arrives without looking at a reflection

LPS

March 12, 2012

IRT Stories

#3

Late rehearsal.  We traveled uptown together from Franklin Street.  A long welcomed ride in a warm subway car. It was good to sit down. We both found seats quickly and side-by-side we rumbled along, stop to stop.  From way downtown to uptown where we both lived blocks apart. Sitting easily and silently.

I notice things. I always have. I grew in this city and my instincts are keen to anything minutely out of sorts, a visual, a feeling, a sensation.

The train began to take on more passengers. Beside my friend sat a large creamy colored man. His coat was too small and wrong, a woman’s coat.  I sat facing ahead but feeling the slow moments and watching with an undetectable side view. My friend sat unaware.

The man’s large hands went inside his coat sleeves, each hand in the opposite sleeve creating a muff.  I stayed with myself, my sense, and watched with my sideways eyes how his one large had slipped beneath the forearm of his other. I watched it creep slowly across his lap fingers appearing by his hip and near to my friend. I could not help but smile. She was from Florida. She sat with her bag in the crook of her arm, a lady’s carry. I continued to watch as this man slipped fingers down to get to the clasp of her bag. 

I stood up with no haste and said easily, “Valerie, get up”. She was dazed from the hum of our ride and the physical exhaustion we both felt. She did rise. I moved in front of this man. Again, I was a bold young woman, born from years of hurt and rage. So slight but hard enough to believe I could manage whatever came my way. 

We stayed this way, she not understanding and waiting, me steady.

The creamy man got up and exited the train at the next stop. I explained and she laughed. I don’t believe anyone saw this private exchange. I exited at my stop, content.

© Leslie I Partridge Sachs

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March 10, 2012
Photographer: Manolo L B Mantero

How beautiful the textures be
Like dining on a symphony
Observe the gentle slope of skin
Like resonance in no chagrin
Beauty seen through eye and lens
To lift the soul in natures cleanse
As music dances overhead
The images speak words unsaid

© LPS 2012

Photographer: Manolo L B Mantero

How beautiful the textures be

Like dining on a symphony

Observe the gentle slope of skin

Like resonance in no chagrin

Beauty seen through eye and lens

To lift the soul in natures cleanse

As music dances overhead

The images speak words unsaid

© LPS 2012

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February 27, 2012
photographer: isabelle vialle

Brittle branches poke and tease 
While walking deep in memories
Perchance the veil may lift its weight 
For sky’s mate to illuminate
One breath knows that tragedy 
Not a prodigious part of me
Yet sententious pieces of my soul
Mirror truths that deepen holes
Have cried dry tears 
Held glass in hand
To carve a path where honor stands
Reflection offers shifts in shale
Projection owns the will to hail
Being still in moments whim
Is grand in quieting soulful grim

LPS ©2012

photographer: isabelle vialle

Brittle branches poke and tease 

While walking deep in memories

Perchance the veil may lift its weight 

For sky’s mate to illuminate

One breath knows that tragedy 

Not a prodigious part of me

Yet sententious pieces of my soul

Mirror truths that deepen holes

Have cried dry tears 

Held glass in hand

To carve a path where honor stands

Reflection offers shifts in shale

Projection owns the will to hail

Being still in moments whim

Is grand in quieting soulful grim

LPS ©2012

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February 25, 2012
Photographer: Enrico Fiore
Brush the daggers aside 
No blood to be spilled
Broken glass is merely the score
Mute can be achieved
In quiet sleep
Only if necessary
The washing tag 
It offers console
The solo war
Lines reveal direction
Up or down
Certainly across
Time traveled
Creases tell secrets
It is lonely 
No matter
A falter to another pitch
Everything changes
LPS ©2012

Photographer: Enrico Fiore

Brush the daggers aside 

No blood to be spilled

Broken glass is merely the score

Mute can be achieved

In quiet sleep

Only if necessary

The washing tag 

It offers console

The solo war

Lines reveal direction

Up or down

Certainly across

Time traveled

Creases tell secrets

It is lonely 

No matter

A falter to another pitch

Everything changes

LPS ©2012

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February 20, 2012
Elements 2 # 15  - photos Max Kuiper
 fur of a beast 
 or a light snow dust 
 for the eyes such a feast 
 for the soul silent lust

LPS

Elements 2 # 15  - photos Max Kuiper

 fur of a beast

 or a light snow dust

 for the eyes such a feast 

for the soul silent lust


LPS

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February 16, 2012
Photographer: Esteller Hissler

…searching through mist 
for those i have kissed 
long road ahead 
they shall meet me in bed 
closing my eyes so they hear my cries 
what my soul reaches for stays behind this mists door
©LPS

Photographer: Esteller Hissler

…searching through mist

for those i have kissed

long road ahead

they shall meet me in bed

closing my eyes so they hear my cries

what my soul reaches for stays behind this mists door

©LPS

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February 16, 2012
Hanging from by the sternum on the tip of the crescent
Waiting to fall
Nothing below creates a sway to focus
Back to work
Stripping the youth beauty
Peeling back folds of dusty memories
A chocolate cherry
Mad mix with medicines
Cracked lips that don’t bleed
A mere kiss to moisten the grip

©LPS

Hanging from by the sternum on the tip of the crescent

Waiting to fall

Nothing below creates a sway to focus

Back to work

Stripping the youth beauty

Peeling back folds of dusty memories

A chocolate cherry

Mad mix with medicines

Cracked lips that don’t bleed

A mere kiss to moisten the grip

©LPS

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Filed under: poetry 
February 2, 2012
First few days of heat and the hot musky air brings people out. Milling and wearing moist skin not yet craving the cooled air available inside café’s and bookshops. Outside one of these pulsing restaurants perched on a bar stool near the entrance was a young woman, perhaps. Her age seemed one where men can be jailed for the error in judgment with or without intention. Long muscled legs crossed and set upon the stool rail pushing forward an instep of seduction. Pink and black satin hung down from her shoulders and with both contradiction and sensuality clung to her small frame. Magnetic was the energy the she exuded, drawing to her the attention of all that passed. Her right arm straight and hand beside her hip assisted in the pressure of her chest against the satin. Her left hand held her cigarette, and when raised to her mouth laced in dark red the action was slow and demanded attention. Long dark hair swam around her and her face glistened with the airs moisture. Each calculated look was an invitation. 
Rising from the stool, she is greeted by an older woman, kissed on her cheek and escorted inside. Stepping on her smoke, and gliding through the doors long limbed and effective, 14 years old can be 18 or 20 so very easily.
©2012
Leslie I P Sachs

First few days of heat and the hot musky air brings people out. Milling and wearing moist skin not yet craving the cooled air available inside café’s and bookshops. Outside one of these pulsing restaurants perched on a bar stool near the entrance was a young woman, perhaps. Her age seemed one where men can be jailed for the error in judgment with or without intention. Long muscled legs crossed and set upon the stool rail pushing forward an instep of seduction. Pink and black satin hung down from her shoulders and with both contradiction and sensuality clung to her small frame. Magnetic was the energy the she exuded, drawing to her the attention of all that passed. Her right arm straight and hand beside her hip assisted in the pressure of her chest against the satin. Her left hand held her cigarette, and when raised to her mouth laced in dark red the action was slow and demanded attention. Long dark hair swam around her and her face glistened with the airs moisture. Each calculated look was an invitation. 

Rising from the stool, she is greeted by an older woman, kissed on her cheek and escorted inside. Stepping on her smoke, and gliding through the doors long limbed and effective, 14 years old can be 18 or 20 so very easily.

©2012

Leslie I P Sachs

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January 22, 2012


Photographer: Emerson Cooper
Nightfall Lingers…x* 
Crucifixes and keys, these were the things I collected as a child and teen. No dolls or stuffed animals, hard metal objects that held significance for me that remains poetic. It started with crosses, all kinds. Many of them I accumulated on our visits to St John the Divine. I am agnostic, my mother is a Jew, and I went to a progressive Episcopalian school and never participated in Eucharist, by choice. But the symbol of the crucifix was magical to me.  On every cross, literally or figuratively, Jesus was murdered.  I am still drawn to the shape of the symbol; it’s simple intersecting lines.  As I got older my collection morphed into keys. I found them in second hand shops, junk stores and flea markets.  Master train keys, ornate keys separated from their beautiful ornate counterpart; roll top desk, jewelry box… I adorned the side of my jeans with all of them gathered on clasp and set at my waist.  I clanked as I walked and I simply loved my keys.  Now I wonder at the odd nature of my fascinations with these things. It occurs to me that the former is in nature something that is special and recognized universally; a brand that has the lost be found. The latter, the chastity of a key, gives promise of unlocking something, releasing what has been missed, a possibility for finding what is lost.  What a clever child I was.
© 2012 Leslie I Partridge Sachs

Photographer: Emerson Cooper

Nightfall Lingers…x* 

Crucifixes and keys, these were the things I collected as a child and teen. No dolls or stuffed animals, hard metal objects that held significance for me that remains poetic. It started with crosses, all kinds. Many of them I accumulated on our visits to St John the Divine. I am agnostic, my mother is a Jew, and I went to a progressive Episcopalian school and never participated in Eucharist, by choice. But the symbol of the crucifix was magical to me.  On every cross, literally or figuratively, Jesus was murdered.  I am still drawn to the shape of the symbol; it’s simple intersecting lines.  As I got older my collection morphed into keys. I found them in second hand shops, junk stores and flea markets.  Master train keys, ornate keys separated from their beautiful ornate counterpart; roll top desk, jewelry box… I adorned the side of my jeans with all of them gathered on clasp and set at my waist.  I clanked as I walked and I simply loved my keys.  Now I wonder at the odd nature of my fascinations with these things. It occurs to me that the former is in nature something that is special and recognized universally; a brand that has the lost be found. The latter, the chastity of a key, gives promise of unlocking something, releasing what has been missed, a possibility for finding what is lost.  What a clever child I was.


© 2012 Leslie I Partridge Sachs

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January 19, 2012
Verdingkinder

Photographer:

Never Surrender…x* 

Emerson Cooper

Dreams may hold a clue about what I am, deep in the spaces that I can’t get to.

Restlessness follows me like a swarm of loving bees.  I whirl daily in distraction

of mundane and essential. Brilliant I am at achieving the necessary.  My sigh is audible

when I have the sense of completion, order, that code which holds my emotions to my

bones and keeps me human. Inside I am depraved. Unworthy of the beauty I have brought

in, I scramble not to destroy the light of each composition. So imperfect that my own light

is dimming more rapidly even in still air. My roots are shallow and fractured. It has taken

great strength to fill just the small bowl that holds my soul and like ether with no drink, it

evaporates. Frantic gives over to rage and then a fight from brittle unmoving

weight. Ribbons of light dance for all and offer elixirs to each.  A sound of wind enters

and sweeps dust from corners that hide bitter tears.  I weave in and out of this place and

wonder if my snake hill will have an end before I can stay to one side again, refilling my

bowl.

Leslie I P Sachs 

©2012

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January 17, 2012
hard and soft….pierce my heart
awaken my spirit

LPS

hard and soft….pierce my heart

awaken my spirit

LPS

January 17, 2012
Photographer: Robert Alan Walker

Under the mist be 
Charred and splintered energy
Return to me please

My form in mire wilts
Holding hard for potential
My age may betray

Me, I must come up
Face the broken battles now
Courage be my guide

LPS ©2012 Haikuheaven

Photographer: Robert Alan Walker

Under the mist be 

Charred and splintered energy

Return to me please

My form in mire wilts

Holding hard for potential

My age may betray

Me, I must come up

Face the broken battles now

Courage be my guide

LPS ©2012 Haikuheaven

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Filed under: haikuheaven 
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